Sora prompts can read like direction for a cinematographer. Begin with the world and its visual rules, place the subject inside it, then describe the action and camera. Concrete relationships matter: where the light comes from, what occupies foreground and background, and how the subject changes.
Use a temporal structure when the scene evolves. “At first,” “as,” and “by the end” establish causality without turning the prompt into a frame-by-frame script. For physically unusual ideas, explain the rule once and show its consequence. A city folding like paper is clearer when buildings crease along streets and cast changing shadows.
Composition carries emotional intent. Negative space can isolate a character, a low angle can make architecture oppressive, and a slow reveal can withhold scale. The analyzer preserves these relationships instead of reducing the clip to style keywords.